Attend Laura Falzon’s upcoming events, and browse her extensive library of past events, from concerts to masterclasses, all over the globe.
Music for flute, voice and piano
Zephyra trio is pleased to present a thoughtfully curated program that delves into the artistic environment surrounding Spanish composer Manuel de Falla during his years in Paris, in celebration of the 150th anniversary of his birth.
The program showcases music by De Falla, Isaac Albéniz, André Caplet, Philippe Gaubert, Jesús Gurudi, Maurice Ravel, Paul Taffanel, and Joaquín Turina. Each of these composers played a significant role in the vibrant Parisian music scene of the early twentieth century, reflecting the rich cross-cultural exchange and spirit of artistic innovation that defined the era.
Drawing inspiration from Falla’s Parisian experience, the concert places a special emphasis on his relationships with fellow Spanish composers Albéniz, Turina, and Guridi and the creative synergy fostered by his association with members of Les Apaches, an informal collective of intellectuals, artists, and musicians. United by a shared passion for avant-garde art, music, and painting, this group contributed greatly to the dynamic artistic landscape of pre–World War I Paris.
The program underscores the diversity and innovative spirit of the time, encompassing both original works and arrangements tailored for the trio of voice, flute, and piano. Through these pieces, the concert celebrates the enduring legacy and creative achievements of De Falla and his Parisian contemporaries.
Concert for Voice, Flute & Piano performed by Zephyra Trio: Laura Falzon, Anna Tonna and Olga Gurevich
Tickets sold on door and via Eventbrite
Echoes of Belonging: Works by Jewish and Mediterranean Composers
A classical music concert featuring the Zephyra Trio with Anna Tonna (mezzo), Laura Falzon (flute), and Olga Gurevich (piano), joined by James Noyes on saxophone. Music by Falla, Hass, Laitman, Obradors, Schonefield, Schulhoff and Turina
$18 in advance, $25 at the door
A concert of amous arias and songs from the big screen, part of the Gerson Cultural Arts Series in New York City
Music by women composers since the Age of Enlightenment. Featuring Laura Falzon, flute, Anna Tonna, mezzo, & Olga Gurevich, piano, performing works by Anna Bon di Venezia, Isabella Colbran, Pauline Viardot, Cécile Chaminade, Alma Mahler, Libby Larsen, Margarita Zelenaia, Florence Price and Margaret Bonds.
Free admission but registration required by 11am March 2.
Laura Falzon, flute
Brian Schober, organist/composer
Laura Falzon performs Zephyr for flute, composed by Brian Schober—one of the few American composers to have studied with Messiaen at the Paris Conservatoire—in a program of works for flute and organ with the composer.
Music by women composers since the Age of Enlightenment. Featuring Laura Falzon, flute, Anna Tonna, mezzo, & Olga Gurevich, piano, performing works by Anna Bon di Venezia, Isabella Colbran, Pauline Viardot, Cécile Chaminade (World premiere version), Marion Bauer, Margarita Zelenaia (World premiere), Florence Price and Margaret Bonds.
Sopranos Maria Ciccaglione and Cheryl Warfield, mezzo-sopranos Leslie Middlebrook and Anna Tonna, flutist Laura Falzon, pianist Marijo Newman. From Mozart to Puccini, Neapolitan Songs, Hispanic, Maltese & American Composers. Part of The St. Monica Concert Series.
Enriqueta Somarriba, piano
Pablo Giménez Hecht, guitar
Laura Falzon, flute
Brian Prunka, ‘Oud
Ramzi El-Edlibi, darbuka
A concert of music for flute and organ
Laura Falzon, flute
Brian Schober, organ
Works by Bach, Hartmann, Rorem, Rutter and Schober’s Zephyrs for flute solo and excerpts of the newly composed Magnificats for solo organ.
A concert of music for flute and organ
Laura Falzon, flute
Brian Schober, organ
Works by Bach, Hartmann, Rorem, Rutter and Schober’s Zephyrs for flute solo and excerpts of the newly composed Magnificats for solo organ.
2Flutes ensemble, Laura Falzon & Pamela Sklar, join mezzo soprano Anna Tonna, tenor Aram Tchobanian and pianist Adam Kent in a concert of works inspired by “mystical” Middle English and Elizabethan poetry